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Copyright guidelines for multimedia developers

Author: Michael Lean

Queensland University of Technology

Keywords: Copyright, multimedia

Article style and source: Workshop


Contents


Copyright guidelines for multimedia developers

Multimedia programs, most of which are currently produced on CD-ROM, depend largely on the 'recycling' of existing information. This information is then combined and presented in new ways.

Copyright in many of the works chosen for inclusion in a new multimedia production may belong to authors, publishers, composers or film producers. Permission must be obtained from these owners before the works can be used.

No special provisions for educators

Currently there are no provisions in The Copyright Act 1968 allowing multimedia producers to make use of copyright works for educational purposes without obtaining a licence or permission from the copyright owner. This means that permission must be obtained from the copyright owner.

Works not requiring permission

The only works that may be used without permission are those where:

  1. The copyright has expired. Be careful about this, the European Union has recently extended the term of protection to seventy years. Therefore some works are now back in copyright. Although these works could be used in an Australian production, licences would need to be obtained before the production could be sold or used overseas. This applies also to some classical music.
  2. The work is in the public domain. You will need to make sure the work is actually in the public domain, and remember that publishers' copyrights in print, layout etc. last for 25 years from date of publication.
  3. You own the copyright of the work. However, even if you have created the work, it may be necessary to check your conditions of employment to see whether your employer has an interest.
All other works require the permission of the copyright owner.

Advice

Never include material in your multimedia production until you have obtained permission or a licence and negotiated a fee for use, unless the material falls into one of the three categories above.

The industry is still in its infancy, so many copyright owners are unsure about granting permission and what to charge. Be prepared to negotiate. Don't be afraid to 'sell' your product and your financial position and prospects. If you believe your project is worthwhile educationally, and you're on a limited budget, say so.

Until all these things have been decided, don't use the material. Once you're 'locked in' to using a particular item, it can be ruinously expensive to negotiate a fee for use after the event. Worse, if an agreement cannot be negotiated, the whole project may be spoiled.

Finding the copyright owner

When trying to obtain permissions, the first approach should be made to the publishers. This can be very time-consuming, particularly if you are trying to obtain permission for many items. Publishers can be difficult to locate because they frequently amalgamate, are taken over, or just go out of business. Your library can help you locate publishers and save you the confusion of writing to old addresses.

Alternatively, you can approach The Copyright Agency Limited (CAL). CAL has recently instituted a service called the New Media Licence Scheme to assist multimedia producers to clear works for use. You will find details at CAL's website, or you can contact them by phone on 02 9394 7600.

In either case, before granting permission, the publisher will need the following details from you:

  • Exact details of the work you wish to use. Send a photocopy of text or illustrations, and include details of author, edition, title, ISBN etc. The more specific you can be, the more quickly your request can be handled. If it's film, video or music, send a very detailed description, including running time.
  • A description of the program you are making, and how the requested material will be used.
  • The number of copies that you plan to make.
  • How the program will be distributed.
  • Where it will be sold - Australia, world-wide, in-house etc.
  • The selling price and the nature of the selling price, e.g. cost recovery, for profit, free distribution etc.

Finally, before going into production, make sure you have all your permissions in place and know the costs involved. It's also a good idea to select some alternative material, in case some of your original choices are too expensive or unavailable.


QUT copyright guide

URL: http://www.avs.qut.edu.au/docs/copyr/21.htm

This document is presented as a general guide to the observance of copyright law at QUT. It reflects the law as of June 1996. Although designed for a particular university the principles of copyright and links provided are relevant to the tertiary sector in general. The contents cover an introduction to copyright and specifics such as:

  • What is covered by copyright?
  • How is copyright in a work obtained?
  • Duration of copyright in Australia
  • Fair dealing
  • Publishing and copyright
  • Copying print works and the CAL Licence
  • Computer software copyright
  • Electonic copyright and the Internet
  • Moral rights

About the author

Michael Lean
Copyright Officer
Queensland University of Technology

Email: mailto:m.lean@qut.edu.au


Copyright © Michael Lean, 1996. For uses other than personal research or study, as permitted under the Copyright Laws of your country, permission must be negotiated with the author. Any further publication permitted by the author must include full acknowledgement of first publication in ultiBASE (http://ultibase.rmit.edu.au). Please contact the Editor of ultiBASE for assistance with acknowledgement of subsequent publication.

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Copyright © 2001 Faculty of Education Language and Community Services
Document URL: http://ultibase.rmit.edu.au/Articles/dec96/leanm1.htm
Last Updated: 29-October-1996 by Marita Mueller
[RMIT University]
 
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